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EXHIBITIONS & INSTALLATIONS
| 2004 |
Whitney Biennial 2004, Whitney Museum, NYC |
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89 Seconds at Alcazar, Margaret Harvey Gallery, Hertfordshire UK
Sprawl, Chewyprojects, NYC |
| 2003 |
The Paper Sculpture Show, Sculpture Center, LIC, NY |
| 2002 |
Eye-Stalk, Smack-Mellon Gallery, Brooklyn, NY |
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Artist to Artist, Ace Gallery, NYC |
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Brooklyn in Paris, Espace Paul Ricard, Paris, France |
| 2001 |
Dialogue of Things, Mysliborz Regional Museum, Mysliborz, Poland |
| 1999 |
China/White - scenes from an exile, Bronwyn Keenan Gallery, NYC |
| 1998 |
Seven Year Itch, Ambrosino Gallery, Miami FL |
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InSitu, site-specific installation @ Linda Hall Library, Kansas City, MO |
| 1997 |
5th International Istanbul Biennial, Istanbul, Turkey |
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New York Drawers, Peirogi 2000 @ the Gasworks, London U.K. |
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Ornithology, Bronwyn Keenan Gallery, NYC |
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Just what do you think your doing Dave?, WAH Center, Brooklyn, NY |
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The Road Show, Bronwyn Keenan Gallery, NYC |
| 1996 |
Casa Tua è Casa Mia, American Academy in Rome, Italy |
| 1995 |
River Blindness, Sculpture Center @ Roosevelt Island, NYC |
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Sculpture Space - 20 Years, (film/video screening) Utica, New York |
| 1994 |
Who has enlarged this hole?, (sculpture/video installation) 53 West 9th St., NYC |
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Rough Cuts: The Extended Artists Notebook, Henry Street Settlement, NYC |
| 1993 |
Emerging Sculptors ?93, Sculpture Center, NYC |
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Monsoon Wait, Six Sculptors Exhibition, L.I.U. Campus, NYC |
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A Room with a View, indoor water/wind installation, Sharpe Foundation, NYC |
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Brooklyn-Queens, Space Program, NYC |
| 1992 |
Extrinsic/Divergent: Made in Germany, Amerika Haus, Berlin, Germany |
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1992 the Americas?, Socrates Sculpture Park, Long Island City, NYC |
| 1991 |
Wasserwerke, installation in the river Panke, Berlin, Germany |
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FILM/VIDEO PROJECTS
| 2003 |
89 seconds at Alcazar, single channel video based on Las Meninas |
| 2002 |
Portman?s Looking Gloass, a 4 projector installation,150ft. 16mm loop, |
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Fly Right, a video triptych of Hasidic girls playing dodge ball |
| 2001 |
Solace, a short film featuring soprano Kati Agocs |
| 2000 |
China|White - Scenes from an exile, three screen panoramic video installation |
| 1999 |
Ten Women and a Shark or 15 years in 5:30, a short film |
| 1998 |
Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City |
| 1997 |
How to tell the future from the past, 12 channel surveillance video installation in the |
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Serkeci Train Station, Istanbul, Turkey |
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The Whites were a Mystery, 3 channel video filmed in Lomé, Togo |
| 1996 |
Imagining Beforehand, 3 channel video, NYC |
| 1995 |
Die Platzsünde, collaboration w/Ricoh Gerbl & Ivana Mestrovic, Rome/NYC |
| 1993 |
Real Time, single channel video |
| 1989 |
New Koke: An Advertisement for Real Life, a short pixal-vision video w/Karen Hatch |
COLLABORATIONS
| 2002 |
Agile Transfer, set & video design for choreographer Hope Clark |
| 2000 |
?S? - video for dance by Sasha Waltz, Schaubühne am Lehninerplatz, Berlin |
| 1995 |
The Master Builder, sculpture for theater, directed by Marianne Weems |
| 1991 |
Der Geist der Mühle, performance & sculpture in the river Panke, Berlin, Germany |
AWARDS & RESIDENCIES
| 2002 |
New York State Council on the Arts - Media Production grant |
| 2000 |
Jerome Foundation Grant |
| 1999 |
New York Foundation for the Arts Fellowship |
| 1996 |
Graham Foundation Grant |
| 1995 |
John Simon Guggenheim Foundation Grant |
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American Academy in Rome Fellowship |
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Art Matters Inc. Grant |
| 1992/3 |
The Marie Walsh Sharpe Art Foundation - Space Program |
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Athena Foundation Grant |
| 1991 |
Luftbrückendank Foundation Grant, Berlin, Germany |
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Bildhauerwerkstätten-Berlin, Germany |
| 1990 |
Pollock-Krasner Foundation Grant |
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Ludwig Vogelstien Foundation Grant |
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Yaddo |
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Artists Space Artists Grant |
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Sculpture Space, Utica, NY |
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VISITING ARTIST
| 2002 |
University of Hertfordshire, Hatfeild UK; |
| 1999 |
University of Hawai?i @ Manoa; |
| 1997 |
Graduate Program @ Bard College; |
| 1996 |
RISD - Rome Program, Tyler-Rome Program, Parsons |
| 1994 |
Rhode Island School of Design, Tyler School of Art; |
| 1990 |
Wake-Forest University, Hamilton College, Colgate University |
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EDUCATION
| 1989 |
Skowhegan School |
| 1984 |
Bennington College, B.A. Fine Arts |
| 1983 |
University of Canterbury, Christchurch, New Zealand |
| 1979 |
Robert College, Istanbul, Turkey |
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BIBLIOGRAPHY
- Zeigler, Ulf Erdmann. Die tageszeitung, Zusammenscluß zum Zweck der Selbstauflösung, January 1993
- Wittemann, Jochen. Märkische Allegmeine Verrätselte Studie, Witzeige Installation, February 1993
- Schwendenwein, Jude . Six Sculptors. (catalogue essay). July 1993.
Kimmelman, Michael. New York Times. Sculpture?s Season in the Sun. August 6th 1993.
- Giusti, Karen. Public Art Review. Signatures in the Public Sphere. Spring/Summer 1993.
- Melrod, George. Sculpture. (NYC exhibition review) January 1994
- Mattei, Peter. Who has enlarged this hole? (catalogue). May 1994.
- Levin, Kim. Village Voice. Choices. June 1994.
- Levin, Kim. Village Voice. Down the Rabbit Hole. June 1994
- Lindsay, David. New York Press. A Mad House. June 1994
- Glueck, Grace. The New York Observer. Prowling the City for Public Art, August 1995
- Cotter, Holland. The New York Times. August 1995
- Coen, Eva. Guiliette. Casa tua `e Casa mia, September 1996
- Berger, Laurel. Art News. In Their Sights, April 1997
- Gear, Josephine. Review. Eve Sussman @ Bronwyn Keenan Gallery, May 1997
- Halle, Howard. Time Out. Eve Sussman, Ornithology (Art Reviews), May 1997
- Smith, Roberta. The New York Times. Despite Changes a Gallery Scene that?s Resilient, May 1997
- Martha Schwendener, The New Art Examiner. Eve Sussman, Ornithology (Art Reviews), July 1997
- Fritz von Klinggäff, Die Tagezeitung. Das Verschwinden des Barbiers, November 1997
- Anton, Saul. Time Out. Eve Sussman, China/White (Art Reviews), September 1999
- NewYorker. Goings on about town, Eve Sussman, October 1999
- Sussman, Eve. Peirogi Press The Whites Were a Mystery, Fall 2000
- Sussman, Eve. Cabinet Instant Replay, Fall 2001
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Sussman, Eve. The Paper Sculpture Book, Goggles for Kaleidoscope Eyes, Cabinet, 2003
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