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Download Curriculum Vitae (doc, pdf)
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SOLO EXHIBITIONS
| 2005 |
Fred (London) Ltd., London, UK |
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Nausea II, Sketch, London, UK |
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Nausea II, Roebling Hall, New York, NY |
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Nausea II (exhibition and screening), Indiana Museum of Contemporary Art, Indianapolis |
| 2004 |
Nausea II (screening), Museum of Modern Art, New York |
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Here Comes Maxi, G-Module, Paris, France |
| 2003 |
Aeroplastics, Brussels, Belgium
Roebling Hall, Brooklyn, NY |
| 2002 |
Angstrom Gallery, Dallas, Texas
Team Gallery, New York, NY |
| 2001 |
I?m Mean Because I Like You, Voorkamer, Lier, Belgium
Nylon Gallery, London, England |
| 2000 |
The Ballad of Bad Orpheus, Roebling Hall, Brooklyn, NY
I?m Mean Because I Like You, Sara Meltzer, New York, NY
Havana Biennial, Official Video Selection, Havana, Cuba
Roebling Hall, Brooklyn, NY |
| 1995 |
Thicket Gallery, New York, NY |
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GROUP EXHIBITIONS
| 2004 |
Bush League, Roebling Hall, Brooklyn, New York |
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What's Love Got To Do With It?, Tucson Museum of Art, Arizona |
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I?ve Met Someone Else, Monya Rowe Gallery, New York City, New York |
| 2003 |
Terrible Beauty, Satellite (a Division of Roebling Hall), Manhattan, New York |
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B-List: Brooklyn, Angst and Desire, Hallwalls, Buffalo, New York |
| 2002 |
4 Brooklyn Artists, Filles du Calvaire, Paris, France
Wonderland, Aeroplastics, Brussels, Belgium
Not Quite Myself Today, ASU Art Museum, Tempe, Arizona |
| 2001 |
Crossing the Line, Queens Museum of Art,? New York
The Artist?s World, CCAC Institute, Oakland, California
Brooklyn! Palm Beach Institute of Contemporary Art, Lakewood, Florida
Video Jam, Palm Beach Institute of Contemporary Art, Lakewood, Florida
Biting Style and Spitting Image, Bass Museum of Art, Miami Beach, Florida
Bienal de Valencia, Spain |
| 2000 |
Four From Brooklyn, Legion Arts, Cedar Rapids, Iowa
Useful Indiscretions: (Works on Paper), Geoffrey Young Gallery, GT. Barrington, MA
Tomorrow, curated by Andréa Salerno and Mari Spirito, Rare Gallery, NYC |
| 1999 |
Out of Order, curated by Joel Beck and Christian Viveros-Fauné, Roebling Hall, Brooklyn, NY
Cutting the Edge: New Film and Video, curated by Susan Joyce, Grand Central Art Center, Santa Ana, CA
I?m the Boss of Myself, curated by Sara Meltzer, essay by Amy Cappellazo, Sara Meltzer?s On View?, New York, NY
I?m A Virgin, curated by Esther Windsor, The Waiting Room, Wolverhampton, UK
Zones of Risibility, curated by Carrie Cooperider, Rotunda Gallery, Brooklyn, NY
Blueprint, curated by Sebastian Bremer, Gallery Spark, New York, NY |
| 1998 |
BOWIE, Rupert Goldsworthy Gallery, New York, NY
Not Four Walls, The Anchorage, New York, NY
More Elvis Than Elvis, Video Room Festival, New York, NY
HOST, curated by Peter Lewis and Peter Fillingham, Tramway, Glasgow, UK
Super Freaks: Post Pop & the New Generation Part 1 ? Trash, Greene Naftali, New York, NY |
| 1997 |
Double Life, curated by Esther Windsor, The Waiting Room, Wolverhapton, UK
WhimSiecle, Peggy Guggenheim Collection, Venice, Italy
A Home Show: Sitting Up Erect or Reclining, curated by Mary Goldman, Berlin, Germany
Big Blue, curated by Francesca Ferguson, Berlin, Germany
Don?t Try This At Home, Performance Videos at The Knitting Factory Video Factory, New York, NY
It?s a Wonderful World, curated by Lithgow Osborne, Unfinished Gallery, Brooklyn, NY |
| 1995 |
Unfinished Gallery Inaugural Show
Unfinished Gallery, Brooklyn, NY
Album 2, curated by Sebastian Bremer, 470 Broadway, New York, NY |
| 1995 |
Thicket on the Lamb, Thicket Gallery, New York, NY
Album, curated by Sebastian Bremer
10 New York Artists, Nova Zemia Gallery, Den Bosch, Netherlands |
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BIBLIOGRAPHY
- ?Stepping Out of Character and into His Art,? Blake Gopnik, Washington Post, December 5, 2004
- Designers? Workshop (Japan), June 2004
- ?Guy Richards Smit? The Brooklyn Rail, 2004
- ?Top Ten,? Guy Richards Smit, Artforum, May, 2003
- ?Sexcapade,? V Magazine, October, 2003
- ?Here?s The Funny Thing About Brooklyn? (?B-List? catalog essay), David Kramer, 2003
- ?Guy Richards Smit,? Meghan Dailey, Artforum, April, 2002
- ?Guy Richards Smit Is?,? David Hunt, Artext, January, 2002
- ?Screen Savers,? Jerry Saltz, The Village Voice, July 31, 2001
- ?The Artist?s World? (?The Artist?s World? catalog essay), Ralph Rugoff, 2001
- ?Artnet News,? Giovanni Garcia-Fenech, Artnet Magazine, February 5, 2001
- ?Brooklyn Spice,? Giovanni Garcia-Fenech, Artnet Magazine, January 5, 2001
- ?Greetings Friends,? Charlie Finch, Artnet Magazine, December 22, 2000
- ?For Hikers Seeking Art, Brooklyn Is a Left Bank,? Holland Cotter, The New York Times, December 15, 2000
- ?High Art,? Steve Garbarino, Details, December 2000
- ?Metamorphosis In Chelsea,? Charlie Finch, Artnet Magazine, August 11, 2000
- ?Gotham Dispatch,? Max Henry, Artnet Magazine, July 17, 2000
- ?Swiss Bliss,? Jery Saltz, The Village Voice, April 25, 2000
- ?Artburger,? Susan Hamburger, Waterfront Week, April 6, 2000
- ?Guy Richards Smit,? Roberta Smith, The New York Times, March 31, 2000
- ?Gotham Dispatch,? Max Henry, Artnet Magazine, March 27, 2000
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GRANTS
- 2003 MAT Charitable Foundation Grant
- 2002 Penny McCall Foundation Grant
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